Saturday, August 22, 2009

Saving The World's Women










Despite the fact that it looks like newspapers, the kind you can hold in your hands, are on their way out, my grandmother reads all her local papers daily. At 79 years old, she can’t imagine reading her news online. When my mother and uncles were young, my grandmother would buy the Philadelphia Bulletin just for one journalist-his name was Claude Lewis. She would also buy the Philadelphia Daily News because of another journalist named Chuck Stone. These two journalists were African-American and they gave my grandmother an example for her to show her three children how words can influence change and how ideas can influence behavior.

My mother remembers vividly reading, as a 9 or 10 year-old, Claude Lewis’ columns. She said thought they came out every Tuesday/Thursday or Wednesday/Friday in the Philadelphia Bulletin. Her mother insisted that her children read each column. My grandmother, a migrant from the South, was so proud of the fact that these men were African-American and real examples of success for her children to consider.

Nicholas Kristoff, of the New York Times, is a journalist my mother likes me to read. He consistently writes about people, places and problems that most other journalists and newspapers could care less about. I know I am and my readers will change the world for the better, but first we have to know what is happening in it.

Read this article by Mr. Kristoff. It’s about the need to uplift women if we are going to improve the lives of most people of the world. What I really like about this article is that Mr. Kristoff shows examples of women who have empowered themselves with the help of others. Here is the link to the Women’s Crusade; Saving the World's Women.
http://www.nytimes.com/2009/08/23/magazine/23Women-t.html?_r=1#

Tuesday, August 18, 2009

An Ode to Liberty by Sojourner Ahebee





























* Paintings by Kehinde Wiley- www.kehindewiley.com

An Ode to Liberty
By Sojourner Ahebee

I.
I have a brother and he is brown
My mother tells her son that the world is his oyster
Lay claim to all around you, she begs
And he smiles and believes in dreams that can’t be scaled down.

As he gets older, like now, like 10 years old
My brother, who is brown, tall like the Sahara Desert on stilts,
Handsome like the Grand Canyon in a rainstorm
Has only the weapons of a violin and a painter’s brush
And a bedroom plastered with heroes to calm his fears of the things foretold.

Maybe not his fortune, doesn’t have to be
But the wails of a mother tied to the wails of another
Linking hundreds of death cries over lost sons,
Released in one year, cascading through one city
Ours
Can spook a little brown boy thinking about living.

II.
I had a friend and he made me wonder about the world
He had crawled through airless tunnels,
Crossed deserts that froze his night tears and rode in trucks with no breath
To arrive here in Our city.

We’d playfully argue
About what makes the best tamales-cornhusk or banana leaves-
And as he cleaned my mother’s car, I played Lila Downs for him
To purposely make him homesick.

We arrived at the carwash one Sunday after praising God and giving thanks
Looking for Cesar,
Not just to clean our car,
But for him to teach us our colors and how to be polite in the language of his home.
He is dead, he coughed himself to death.
Too afraid to seek a helping hand to soothe the fire in his chest.

III.

I invited Alex, a Main Line girl,
To the central branch of the library,
To show off one of the treasures of my urban splendor
But her father said no
Too many homeless men encircling the square
But my mom said they were once young boys
Full of sass and young hope
Until some war ate their souls,
Made them need more than blood in their veins.

IV.
I have a stick; it’s more like a wand
I use to tickled Liberty, to play with it
To woo it from its safe havens
And to beg for it to come where I am and spread some love
.

An Ode to Liberty

Monday, August 17, 2009

Race:Are We So Different? at the Franklin Institute




This whole concept of race as it is expressed in the United States has been a confusing one for me and my brother. My first seven years were spent in Abidjan, Cote d’Ivoire which was a crossroads of Africa; everyone came through there as well as Asian and European people. There didn’t seem to be this urgent need to classified and separate people racially or ethnically.

I went to the International Community School of Abidjan. Its students represented more than 70 nationalities. When I first came to the United States and I went to a “neighborhood school” that was almost exclusively African-American, my first reaction was where were the people of color from other places-not where were the white children… Anyway , I say this to tell you about an exhibition at the Franklin Institute called Race: Are We So Different? There will be a special panel discussion about race in the United States this Wednesday at 7:00 p.m. at the Franklin Institute.


SPECIAL EVENT!Can Or Should America Be Color Blind?Wednesday, August 19, 20097:00PM - Franklin Theater. Participate in a talk with the former president of the American Anthropological Association, professor and biological anthropologist Dr. Alan Goodman, who played a key role in the development and design of The Franklin Institute's current traveling exhibition RACE. Goodman will take on the meanings of race at a time when we debate whether America can or should be color blind—from racial profiling to economic, education and health care disparities. His introductory talk will be followed by a lively panel discussion from noted academics and community activists including Asian community leader John Chin and criminal attorney Michael Coard. Admission to the event is free, advance registration is required. Please call 215.448.1254.



Visit the EXHIBIT WEBSITE for more information about the experience and other educational resources. Here's the link. http://www.understandingrace.org/home.html

Here is more information from the Franklin Institute about the exhibition:

The exhibit encourages visitors of all ages to explore the science, history, and everyday impact of race and racism, and will be highlighted by special programming events that aim to more fully connect with the community. Free to all visitors with a Sci‐Pass admission to the museum, the RACE exhibit runs from now through September 7.

“Race and education remain the two central challenges facing Philadelphia. This exhibit allows us to educate on the topic of race—with the discussion grounded in the cutting‐edge science of our day,” said Dennis Wint, President & CEO of The Franklin Institute. “Race is not only an exhibit, it is a conversation. We are committed to building programming and activities around the exhibit that challenge diverse conversations about race in meaningful ways.”

RACE: Three perspectives on a wide‐reaching topic ‐‐From the scientific understanding that humankind cannot be divided into ‘races’ to how American history,economic interest and popular culture have played a role in shaping our understanding of race, RACE: Are We So Different creates a compelling opportunity to explore one of the most controversial topics in American culture today. The RACE exhibit addresses these topics through three interwoven sections that tell a moving story of science with deep and lasting social impact.

• Science: Visitors will discover that human beings are more alike than any other living species, and no one gene or set of genes can support the idea of race.
• History: Ideas about race have been around for hundreds of years, and they have changed over time. This section of RACE explores the origins of the term ‘race’ and the journey of racism in the United States.
• Everyday experience: Though race may not be a real biological concept, it certainly is real both socially and culturally. In this section of the exhibit, visitors will explore the personal experiences of race in our schools, neighborhoods, health care systems, sports and entertainment industries, and more.
The Franklin’s “Out of Africa” task force, an in‐house committee which is dedicated to creating dialogue about race through the museum, will be creating a series of special programming events around the exhibition, ranging from workshops to panel discussions.








Tuesday, August 11, 2009

The Great Books Summer Program







Sorry for the long silence, but I have been involved in some amazing summer programs I’m excited to tell you about. Today I will share some information about the Great Books Summer Program, which I participated. I love books and ideas and it was so awesome to be exclusively around other kids my age who love reading and exploring ideas as well.

The Great Books Summer Program not only exposes students to the best of world literature , but it also teaches you how to analyze literature and articulately discuss it and how to tie the ideas expressed in books to your life and the larger world. For example, before I arrived at Amherst College for this program, the biggest news event was the Iranian Elections and the protests that followed. Well, I didn’t have sense of Iran or its history. At Great Books, I read Persepolis, a book by Marjane Satrapi about her childhood during the fall of the Shah of Iran and the Islamic Revolution. A whole other world opened up to me. I am driven about discovering and understanding more of it. I read works by Nadine Gordimer , Bessie Head , and Kurt Vonnegut to name a few.

In addition to all the great books I read and the new friends I made, I fell in love with the town of Amherst and Amherst College. Here is the link to an article that appeared last month in the Wall Street Journal about the Great Books Summer Program.
http://online.wsj.com/article/SB10001424052970203517304574302760428865076.html


Here is the link to the Great Books Summer Program. I hope to see you there next summer.

http://www.greatbookssummer.com/

Wednesday, July 15, 2009

Our Problem is Civil Obedience



One of the great things about having this blog is receiving a lot of thoughtful information from my readers. Here is a quote by Howard Zinn sent to me by Mike. It makes me think. It makes me wonder. It makes me want to be starting something.


"Our problem is civil obedience.

Our problem is the numbers of people all over the world who have obeyed the dictates of the leaders of their government and have gone to war, and millions have been killed because of this obedience. And our problem is that scene in All Quiet on the Western Front where the schoolboys march off dutifully in a line to war.

Our problem is that people are obedient all over the world, in the face of poverty and starvation and stupidity, and war and cruelty. Our problem is that people are obedient while the jails are full of petty thieves, and all the while the grand thieves are running the country.

That's our problem.

We recognize this for Nazi Germany. We know that the problem there was obedience, that the people obeyed Hitler. People obeyed; that was wrong.

They should have challenged, and they should have resisted; and if we were only there, we would have showed them.

Even in Stalin's Russia we can understand that; people are obedient, all these herdlike people."

Howard Zinn

Tuesday, July 14, 2009

I Stand with Sonia Sotomayor




This week starts Judge Sonia Sotomayor’s confirmation hearings. Even though President Obama nominated her-the first Latina nominee-, her nomination has to be approved by the US Senate. Take a little time to listen to some of the hearings. It’s really interesting and you’ll be amazed by how much you learn. Here is a link to a video about Judge Sotomayor’s life. How do you like the photo of Judge Sotomayor at age 7?


http://www.youtube.com/watch?v=yYjuS-d8PL8&feature=related

Monday, July 13, 2009

Global Groves at the Kimmel Center




My home is a hotbed of all kinds of music and music from Africa dominates. I especially love music from Zaire because it demands that you be joyous and last Thursday I was ecstatic. It’s one thing to hear music from your ipod or CD player and it’s a whole other, awesome experience to hear live the music you love. And that’s what happened to me last Thursday at the Kimmel Center. As part of its annual summer series-Global Groves-the Kimmel Center presented Samba Mapangala and his band Virunga . Samba is a phenomenal singer from Zaire(The Democratic Republic of the Congo) and his band is banging. If you know anything about Congolese music, you know it’s driven by guitars, percussion and horns and you have to move to it-you have no choice. The music is that compelling and Samba and Virunga had the Kimmel Center audience out of its seats and dancing. Samba sung in Lingala and Swahili and these languages are mesmerizing .

The whole concept of Global Groves is in sync with the idea that we are a global village and we should know about one another and what better way than through music. These concerts are held in the Kimmel Center’s Perelman Theatre where an audience member can sit and listen to the concert or go in front of the performance stage ,where there is a huge dance floor for you to bust your moves. That’s what I did last Thursday as did many others. Old and young and all ethnicities came together and jammed. It was so amazing and moving.

In addition to Samba and his band, there were these beautiful dancers who made you see how incredible and elastic the human body is. You must check out the rest of the Global Groves series. This Thursday at 7:30 p.m., Cu Cu Diamantes, a fun and vibrant singer from Cuba, will give a concert with her band. I have my dancing shoes ready and I hope you do, too. Here is a link to Cu Cu Diamantes.
http://www.youtube.com/watch?v=bcfIoZxPCaM&feature=channel


For more information about the Kimmel Center and its Global Groves series contact the following:

Kimmel Center, Inc.
260 South Broad Street,
Suite 901
Philadelphia, PA 19102
Administrative Offices: 215-790-5800 Fax: 215-790-5801
Tickets: 215-893-1999
Visitor Services: 215-670-2327 Monday - Friday, 9am-5pm

Sunday, July 5, 2009

Global Grooves at the Kimmel Center-Samba Mapangala & Virunga


As part of its Global Grooves series, The Kimmel Center for the Performing Arts will present Samba Mapangala and Virunga, on Thursday, July 9, 2009 at 7:30 in the Perelman Theatre. I plan to attend and do a review, but I encourage you to go and hear this amazing band. Listen.
http://www.youtube.com/watch?v=8wZAOd-YXoU

Samba Mapangala and his band Virunga are one of the major bands to come out from Central and East Africa in the last 25 years. Beloved throughout East Africa for his incredible voice, Samba has created an infectious pairing of the best Congolese rumba and soukous with an earthier Kenyan style. Samba sings in both Lingala and Swahili and his live performances are hot.

According to Philly Culture, “…Samba's incendiary live show features complex, interlocking guitar lines, rapid-fire bass and light, fast-paced percussion with horn or sax overlays. The songs begin with Samba's catchy melodic lines, evolving through beautiful vocal harmonies and brilliant guitar and horn solos. Samba's sound is unique among African vocalists and remains legendary to this day.”

Samba Mapangala and Virunga
Thursday, July 9, 2009 at 7:30 p.m.
Kimmel Center for the Performing Arts
Perleman Theatre
260 S. Broad Street
Philadelphia, PA 19102
http://www.kimmelcenter.org/events/summer-dance09.php
Tickets: 215-893-1999

Visitor Services: 215-670-2327 Monday - Friday, 9am-5pm


Saturday, June 20, 2009

Laurie Cooper's Black Man in America





Between my mother and my Tante Mona,I have been exposed to a lot of art and artists. But yesterday, while looking for images for a card project I came across Laurie Cooper’s painting Black Man in America. For the first time, a painting made me pause, reflect and begin to consider some things. I am thinking and seeing.